Tuesday 27 January 2015

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Character List

Othello
The play's protagonist and hero. A Christian Moor and general of the armies of
Venice, Othello is an eloquent and physically
powerful figure, respected by all those around
him. In spite of his elevated status, he is
nevertheless easy prey to insecurities because of
his age, his life as a soldier, and his race. He possesses a "free
and open nature," which his
ensign Iago uses to twist his love for his wife,
Desdemona, into a powerful and destructive
jealousy (I.iii.381).


Desdemona - The daughter of the Venetian senator Brabanzio. Desdemona
and Othello are
secretly married before the play begins. While in
many ways stereotypically pure and meek,
Desdemona is also determined and self-
possessed. She is equally capable of defending
her marriage, jesting bawdily with Iago, and responding with dignity
to Othello's
incomprehensible jealousy.


Iago - Othello's ensign (a job also known as an ancient or
standard-bearer), and the villain of the
play. Iago is twenty-eight years old. While his
ostensible reason for desiring Othello's demise is
that he has been passed over for promotion to
lieutenant, Iago's motivations are never very
clearly expressed and seem to originate in an obsessive, almost
aesthetic delight in
manipulation and destruction.


Michael Cassio - Othello's lieutenant. Cassio is a young and
inexperienced soldier, whose high
position is much resented by Iago. Truly devoted
to Othello, Cassio is extremely ashamed after
being implicated in a drunken brawl on Cyprus
and losing his place as lieutenant. Iago uses
Cassio's youth, good looks, and friendship with Desdemona to play on
Othello's insecurities
about Desdemona's fidelity.

Emilia - Iago's wife and Desdemona's attendant. A cynical, worldly
woman, she is
deeply attached to her mistress and distrustful of
her husband.

Roderigo - A jealous suitor of Desdemona. Young, rich, and foolish,
Roderigo is convinced
that if he gives Iago all of his money, Iago will
help him win Desdemona's hand. Repeatedly
frustrated as Othello marries Desdemona and
then takes her to Cyprus, Roderigo is ultimately
desperate enough to agree to help Iago kill Cassio after Iago points
out that Cassio is another
potential rival for Desdemona.

Bianca - A courtesan, or prostitute, in Cyprus. Bianca's favorite
customer is Cassio, who teases
her with promises of marriage.

Brabanzio - Desdemona's father, a somewhat blustering and
self-important Venetian senator.
As a friend of Othello, Brabanzio feels betrayed
when the general marries his daughter in secret.

Duke of Venice - The official authority in Venice, the duke has great
respect for Othello as a public
and military servant. His primary role within the
play is to reconcile Othello and Brabanzio in Act I,
scene iii, and then to send Othello to Cyprus.

Montano - The governor of Cyprus before Othello. We see him first in
Act II, as he recounts
the status of the war and awaits the Venetian
ships.

Lodovico - One of Brabanzio's kinsmen, Lodovico acts as a messenger
from Venice to
Cyprus. He arrives in Cyprus in Act IV with letters
announcing that Othello has been replaced by
Cassio as governor.

Graziano - Brabanzio's kinsman who accompanies Lodovico to Cyprus. Amidst the
chaos of the final scene, Graziano mentions that
Desdemona's father has died.

Clown - Othello's servant. Although the clown appears only in two
short scenes, his
appearances reflect and distort the action and
words of the main plots: his puns on the word
"lie" in Act III, scene iv, for example, anticipate
Othello's confusion of two meanings of that
word in Act IV, scene i.

WRITTEN BY COMRADE OLAMILEKAN
08179545998

Sunday 25 January 2015

perPage: 7,
AFRICAN DRAMA
1. The Women of Owu ------------------ Femi Osofisan
2. The Blinkards ------------------------- Kobina Sekyi

NON-AFRICAN DRAMA
1. The Tempest -------------------------- William
Shakespeare
2. Arms and the Man -------------------- George Bernard
Shaw
3. The Importance of Being Earnest ----- Oscar Wilde

AFRICAN POETRY
1. Ambassadors of Poverty --------------- Umeh P.O.C
2. Homeless Not Hopeless --------------- Sola Owonibi
3. Boy on a Swing ----------------------- Oswald Mtshali
4. The Fence ------------------------------ Lenrie Peters
5. Expelled -------------------------------- Jared Angira
6. Myopia --------------------------------- Sly Cheney-Coker

NON-AFRICAN POETRY
1. The Sun Rising -------------------------- John Donne
2. Daffodils -------------------------------- William
Wordsworth
3. Strange Meeting ------------------------- Wilfred Owen
4. The Soul's Errand ------------------------ Walter Raleigh
5. Upon a Honest Man's Fortune ----------- John
Fletcher
6. The Negro Speaks of Rivers ------------- J.M Langston
Hughes

AFRICAN PROSE
1. A Woman in her Prime ------------------- Asare Samuel
Konadu
2. Purple Hibiscus -------------------------- Chimamanda
Adiche

NON-AFRICAN PROSE
1. The Lord of the Flies --------------------- William
Golding
2. The Color Purple ------------------------ Alice Walker
perPage: 7,
LITERATURE-IN-ENGLISH EXAMINATION SCHEME

There will be three papers – Papers 1, 2 and 3.

Papers 1 and 2 will be combined in a 1 hour 15 minutes composite paper and will be taken at one sitting

Paper 1 will be a multiple choice objective test. It will
contain fifty questions distributed as follows:

(a) Twenty questions on General Knowledge of
Literature;
(b) Five questions on an unseen prose passage;
(c) Five questions on an unseen poem;
(d) Twenty context questions on the prescribed
Shakespearean text.

Candidates will be required to answer all the questions within 1 hour for 50 marks.

Paper 2 will be an essay test with two sections,
Sections A and B. Section A will be on African Prose
and Section B on Non African Prose.

Two essay questions will be set on each of the novels
prescribed for study. Candidates shall be required to
answer one question only from each section within 1
hour 15 minutes for 50 marks.

Paper 3 will be on the Drama and Poetry components
of the syllabus. It will be put into four sections,
Sections A, B. C and D as follows:
Section A: African Drama
Section B: Non-African Drama
Section C: African Poetry
Section D: Non-African Poetry

There shall be two questions on each of the prescribed texts for each section Candidates shall be required to answer one question
from each of the sections, making a total of four
questions. The paper will take 2 hours 30 minutes to
complete and will carry 50 marks.

Note:
(i) The Unseen Prose passage for Paper 1 shall be
about 120 – 150 words long.
(ii) Only context questions shall be set on the
Shakespearean text. The context questions will test
such items as theme, characterization, style and
setting in the Shakespearean text.
(iii) No essay question shall be set on the
Shakespearean text.
perPage: 7,
Manfred
Manfred, the prince of Otranto, a usurper. After Manfred's son is mysteriously killed on his wedding day, Manfred plans to divorce his wife and marry the promised bride himself. After much frightening
supernatural intervention, Manfred surrenders his claims to Otranto; he and his wife then enter neighboring convents.

Conrad
Conrad, the fifteen-year-old son of Manfred. On his wedding day, he is found crushed to death beneath a gigantic helmet.

Isabella
Isabella, the daughter of the Marquis of Vicenza and the fiancée of Conrad. Manfred plans to marry her after Conrad's death, but she escapes him with the aid of the true heir to Otranto, whom she marries
after Manfred's abdication.

Theodore
Theodore, a young peasant and the true heir to Otranto. He is imprisoned and nearly executed by Manfred's order, but with both human and supernatural aid he triumphs, marrying Isabella and becoming the new Prince of Otranto.

Matilda
Matilda, Manfred's daughter. She gives aid to Theodore. Learning that Theodore is in the chapel with a woman, the jealous Manfred goes there and stabs the woman, only to learn that he has killed his daughter
Matilda.

Father Jerome
Father Jerome, formerly prince of Falconara, now a priest. Called to give absolution to the condemned Theodore, he discovers that Theodore is his own son, born before he entered the Church.

The Marquis of Vicenza
The Marquis of Vicenza, Isabella's father. Disguised as the Knight of the Gigantic Sabre, he comes to Otranto, bringing with him a huge sword carried by a hundred men. On its blade is written that only
Manfred's blood can atone for the wrongs done to the family of the true heir. By betrothing the Marquis to Matilda, Manfred gets his consent to his own marriage with Isabella; however, terrifying omens
and warnings cause the Marquis to renounce Matilda.

Prince Alfonso the Good
Prince Alfonso the Good, formerly the ruler of Otranto. It is the helmet of his statue that crushes Conrad. His giant form appears to proclaim
Theodore, the son of his daughter, heir to Otranto. He then ascends to Heaven.

Saint Nicholas
Saint Nicholas, who receives Prince Alfonso into Heaven.

BY COMRADE OLAMILEKAN
08179545998
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