Wednesday 1 April 2015

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Okay now, when Mr Goodluck was amassing votes left, right and centre in 2011, no one was talking about
Nigeria been divided along tribal lines. When he was cancelling out Mr Buhari in Suleja, Ogbomosho, Isale Eko etc in 2011, we never heard chants of the ethnic bigots.

But now that his ass is being flogged from Potiskum to Ilorin, down to Ajegunle, some numbskulls are now bringing out their vuvuzela to remind us that Nigeria is divided along tribal lines.
Abeg carry your bigotry dey go! We say this govt is clueless, you are telling me we don't like him because he's Ijaw.

If you are not happy, you have a choice. You can relocate to Okerenkoko and elect Goodluck as Ijaw
President!
Mscheeew!

Sunday 1 February 2015

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Scene Breakdown

Act 1, Scene 1
Venice. A street.
(Roderigo, Iago, Brabantio, Servants)

Act 1, Scene 2

Venice. Another street.
(Othello, Iago, Attendants, Cassio,
Officers, Brabantio, Roderigo)

Act 1, Scene 3
Venice. A council chamber.
(Duke, First Senator, Second Senator, Officers, Sailor, First Messenger, Brabantio, Othello, Cassio, Iago, Roderigo, Desdemona, Iago, Attendants)

Act 2, Scene 1
A sea port in Cyprus.
(Montano, Gentlemen, Cassio, Second Messenger, Desdemona, Iago, Roderigo, Emilia, Attendants, Othello)

Act 2, Scene 2
Venice. A street.
(Herald)

Act 2, Scene 3
Venice. A castle hall.
(Othello, Desdemona, Cassio, Attendants, Iago, Cassio, Montano, Gentlemen, Servants, Roderigo)

Act 3, Scene 1
Cyprus. Before the castle.
(Cassio, Musicians, Clown, Iago, Emilia)

Act 3, Scene 2
Cyprus. A room in the castle.
(Othello, Iago, Gentlemen)

Act 3, Scene 3
Cyprus. The garden of the castle.
(Desdemona, Cassio, Emilia, Othello, Iago)

Act 3, Scene 4
Cyprus. Before the castle.
(Desdemona, Emilia, Clown, Othello, Iago, Cassio, Bianca)

Act 4, Scene 1
Cyprus. Before the castle.
(Othello, Iago, Cassio, Bianca, Lodovico, Desdemona, Attendants)

Act 4, Scene 2
Cyprus. A room in the castle.
(Othello, Emilia, Desdemona, Roderigo, Iago)

Act 4, Scene 3
Cyprus. Another room in the castle.
(Othello, Lodovico, Desdemona, Emilia, Attendants)

Act 5, Scene 1
Cyprus. A street.
(Iago, Roderigo, Cassio, Othello, Lodovico, Gratiano, Bianca, Emilia)

Act 5, Scene 2
A bedchamber in the castle.
(Othello, Desdemona, Emilia, Montano, Gratiano, Iago, Lodovico, Cassio)

Tuesday 27 January 2015

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Character List

Othello
The play's protagonist and hero. A Christian Moor and general of the armies of
Venice, Othello is an eloquent and physically
powerful figure, respected by all those around
him. In spite of his elevated status, he is
nevertheless easy prey to insecurities because of
his age, his life as a soldier, and his race. He possesses a "free
and open nature," which his
ensign Iago uses to twist his love for his wife,
Desdemona, into a powerful and destructive
jealousy (I.iii.381).


Desdemona - The daughter of the Venetian senator Brabanzio. Desdemona
and Othello are
secretly married before the play begins. While in
many ways stereotypically pure and meek,
Desdemona is also determined and self-
possessed. She is equally capable of defending
her marriage, jesting bawdily with Iago, and responding with dignity
to Othello's
incomprehensible jealousy.


Iago - Othello's ensign (a job also known as an ancient or
standard-bearer), and the villain of the
play. Iago is twenty-eight years old. While his
ostensible reason for desiring Othello's demise is
that he has been passed over for promotion to
lieutenant, Iago's motivations are never very
clearly expressed and seem to originate in an obsessive, almost
aesthetic delight in
manipulation and destruction.


Michael Cassio - Othello's lieutenant. Cassio is a young and
inexperienced soldier, whose high
position is much resented by Iago. Truly devoted
to Othello, Cassio is extremely ashamed after
being implicated in a drunken brawl on Cyprus
and losing his place as lieutenant. Iago uses
Cassio's youth, good looks, and friendship with Desdemona to play on
Othello's insecurities
about Desdemona's fidelity.

Emilia - Iago's wife and Desdemona's attendant. A cynical, worldly
woman, she is
deeply attached to her mistress and distrustful of
her husband.

Roderigo - A jealous suitor of Desdemona. Young, rich, and foolish,
Roderigo is convinced
that if he gives Iago all of his money, Iago will
help him win Desdemona's hand. Repeatedly
frustrated as Othello marries Desdemona and
then takes her to Cyprus, Roderigo is ultimately
desperate enough to agree to help Iago kill Cassio after Iago points
out that Cassio is another
potential rival for Desdemona.

Bianca - A courtesan, or prostitute, in Cyprus. Bianca's favorite
customer is Cassio, who teases
her with promises of marriage.

Brabanzio - Desdemona's father, a somewhat blustering and
self-important Venetian senator.
As a friend of Othello, Brabanzio feels betrayed
when the general marries his daughter in secret.

Duke of Venice - The official authority in Venice, the duke has great
respect for Othello as a public
and military servant. His primary role within the
play is to reconcile Othello and Brabanzio in Act I,
scene iii, and then to send Othello to Cyprus.

Montano - The governor of Cyprus before Othello. We see him first in
Act II, as he recounts
the status of the war and awaits the Venetian
ships.

Lodovico - One of Brabanzio's kinsmen, Lodovico acts as a messenger
from Venice to
Cyprus. He arrives in Cyprus in Act IV with letters
announcing that Othello has been replaced by
Cassio as governor.

Graziano - Brabanzio's kinsman who accompanies Lodovico to Cyprus. Amidst the
chaos of the final scene, Graziano mentions that
Desdemona's father has died.

Clown - Othello's servant. Although the clown appears only in two
short scenes, his
appearances reflect and distort the action and
words of the main plots: his puns on the word
"lie" in Act III, scene iv, for example, anticipate
Othello's confusion of two meanings of that
word in Act IV, scene i.

WRITTEN BY COMRADE OLAMILEKAN
08179545998

Sunday 25 January 2015

perPage: 7,
AFRICAN DRAMA
1. The Women of Owu ------------------ Femi Osofisan
2. The Blinkards ------------------------- Kobina Sekyi

NON-AFRICAN DRAMA
1. The Tempest -------------------------- William
Shakespeare
2. Arms and the Man -------------------- George Bernard
Shaw
3. The Importance of Being Earnest ----- Oscar Wilde

AFRICAN POETRY
1. Ambassadors of Poverty --------------- Umeh P.O.C
2. Homeless Not Hopeless --------------- Sola Owonibi
3. Boy on a Swing ----------------------- Oswald Mtshali
4. The Fence ------------------------------ Lenrie Peters
5. Expelled -------------------------------- Jared Angira
6. Myopia --------------------------------- Sly Cheney-Coker

NON-AFRICAN POETRY
1. The Sun Rising -------------------------- John Donne
2. Daffodils -------------------------------- William
Wordsworth
3. Strange Meeting ------------------------- Wilfred Owen
4. The Soul's Errand ------------------------ Walter Raleigh
5. Upon a Honest Man's Fortune ----------- John
Fletcher
6. The Negro Speaks of Rivers ------------- J.M Langston
Hughes

AFRICAN PROSE
1. A Woman in her Prime ------------------- Asare Samuel
Konadu
2. Purple Hibiscus -------------------------- Chimamanda
Adiche

NON-AFRICAN PROSE
1. The Lord of the Flies --------------------- William
Golding
2. The Color Purple ------------------------ Alice Walker
perPage: 7,
LITERATURE-IN-ENGLISH EXAMINATION SCHEME

There will be three papers – Papers 1, 2 and 3.

Papers 1 and 2 will be combined in a 1 hour 15 minutes composite paper and will be taken at one sitting

Paper 1 will be a multiple choice objective test. It will
contain fifty questions distributed as follows:

(a) Twenty questions on General Knowledge of
Literature;
(b) Five questions on an unseen prose passage;
(c) Five questions on an unseen poem;
(d) Twenty context questions on the prescribed
Shakespearean text.

Candidates will be required to answer all the questions within 1 hour for 50 marks.

Paper 2 will be an essay test with two sections,
Sections A and B. Section A will be on African Prose
and Section B on Non African Prose.

Two essay questions will be set on each of the novels
prescribed for study. Candidates shall be required to
answer one question only from each section within 1
hour 15 minutes for 50 marks.

Paper 3 will be on the Drama and Poetry components
of the syllabus. It will be put into four sections,
Sections A, B. C and D as follows:
Section A: African Drama
Section B: Non-African Drama
Section C: African Poetry
Section D: Non-African Poetry

There shall be two questions on each of the prescribed texts for each section Candidates shall be required to answer one question
from each of the sections, making a total of four
questions. The paper will take 2 hours 30 minutes to
complete and will carry 50 marks.

Note:
(i) The Unseen Prose passage for Paper 1 shall be
about 120 – 150 words long.
(ii) Only context questions shall be set on the
Shakespearean text. The context questions will test
such items as theme, characterization, style and
setting in the Shakespearean text.
(iii) No essay question shall be set on the
Shakespearean text.
perPage: 7,
Manfred
Manfred, the prince of Otranto, a usurper. After Manfred's son is mysteriously killed on his wedding day, Manfred plans to divorce his wife and marry the promised bride himself. After much frightening
supernatural intervention, Manfred surrenders his claims to Otranto; he and his wife then enter neighboring convents.

Conrad
Conrad, the fifteen-year-old son of Manfred. On his wedding day, he is found crushed to death beneath a gigantic helmet.

Isabella
Isabella, the daughter of the Marquis of Vicenza and the fiancée of Conrad. Manfred plans to marry her after Conrad's death, but she escapes him with the aid of the true heir to Otranto, whom she marries
after Manfred's abdication.

Theodore
Theodore, a young peasant and the true heir to Otranto. He is imprisoned and nearly executed by Manfred's order, but with both human and supernatural aid he triumphs, marrying Isabella and becoming the new Prince of Otranto.

Matilda
Matilda, Manfred's daughter. She gives aid to Theodore. Learning that Theodore is in the chapel with a woman, the jealous Manfred goes there and stabs the woman, only to learn that he has killed his daughter
Matilda.

Father Jerome
Father Jerome, formerly prince of Falconara, now a priest. Called to give absolution to the condemned Theodore, he discovers that Theodore is his own son, born before he entered the Church.

The Marquis of Vicenza
The Marquis of Vicenza, Isabella's father. Disguised as the Knight of the Gigantic Sabre, he comes to Otranto, bringing with him a huge sword carried by a hundred men. On its blade is written that only
Manfred's blood can atone for the wrongs done to the family of the true heir. By betrothing the Marquis to Matilda, Manfred gets his consent to his own marriage with Isabella; however, terrifying omens
and warnings cause the Marquis to renounce Matilda.

Prince Alfonso the Good
Prince Alfonso the Good, formerly the ruler of Otranto. It is the helmet of his statue that crushes Conrad. His giant form appears to proclaim
Theodore, the son of his daughter, heir to Otranto. He then ascends to Heaven.

Saint Nicholas
Saint Nicholas, who receives Prince Alfonso into Heaven.

BY COMRADE OLAMILEKAN
08179545998
Sent from my BlackBerry® smartphone, powered by Easyblaze

Wednesday 14 January 2015

perPage: 7,
WOMEN OF OWU BY FEMI OSOFISAN (SUMMARY)
About the Text
Text Women of Owu
Writer Femi Osofisan
Publisher University Press Plc
Year of Publication 2006, 2008, 2009
Genre Tragedy
This play was inspired by the reading of Euripides
The Trojan Women during the period of Iraqi war
..........................................................................................
............................................................................
WOMEN OF OWU at a Glance
WOMEN OF OWU re-enacts the bitter and gory
historical experiences of the people of the then Owu
Kingdom which happened sometimes around 1821.
What is shown in this play is the aftermath
experiences of war, the defeat and the accompanied
sorrow and pangs of the survivors whole are women
of nobility and beauty.
..........................................................................................
...........................................................................
Characters
ANLUGBUA Former Owu war leader, son of Oba
Asunkungbade, ancestral founder of Owu Ipole, now
deified as Orisa.
LAWUMI Mother of Oba Asunkungbade, now also
deified.
ERELU AFIN Wife of Oba Akinjobi, the reigning Olowu
of Owu Iponle.
GESINDE Ijebu soldier, herald and staff officer of the
Allied Army.
ORISAYE Half-mad daughter of Erelu, votary of the
god Obatala.
ADUMAADAN Widow of Lisabi, son of Erelu.
OKUNADE The MAYE, Ife war leader, General of the
Allied Forces.
IYUNLOYE Erring wife of the Maye.
CHORUS LEADER
CHORUS OF OWU WOMEN
SOLDIERS
..........................................................................................
............................................................................
Scene by Scene Summary
Scene 1
The play opens with the sad event of the war that left
the Owu City in complete ruin.
Two women sent to fetch water met with an old man
who asked to know what city it is that lies in utter
ruins, shouldering. The women in response gave the
whole account of the devastating war and the
brutality the allied forces from Ife, Ijebu and the
mercenary soldiers from Ibadan unleashed on the
city; how they destroyed every male, both young and
old, sparing only the beautiful women and those of
the royal line, to keep as booty, especially for the
generals.
They feared for the old man and advised him to run
for dear life before the soldiers would sight him and
waste him as they did to other men of the city. They
were shocked when they discovered that the old man
is Anlugbua, their ancestral god who also is one of
the founders of the city. The women at this revelation
raised alarmed and later expressed their
disappointment at Anlugbua's late coming; for they
believed if he had come, as they expected any god
would to defend his worshippers, the city would had
been spared.
Anlugbua told them that the oath he took many years
ago when he was departing prevented him from
coming to their aid unless either the priests, chiefs or
the diviners invoke his spirit as instructed.
The women, in describing the gory attack, gave
detailed account of what was responsible for the
people's plight.
Okunade, The Maye led the allied forces under the
pretext of rescuing the oppressed Owu people from
the despot king, Oba Akinjobi; and for seven years
his army camped around the city after failed attempt
to penetrate and invade it.
Okunade the notable craftsman had abandoned his
trade to train as a soldier and in the process rose in
ranks to become the Maye, to avenge his favorite
wife, Iyunloye, who was taken captive alongside
others, by the Owu soldier when they invaded the
Apomu Market.
Owu City was built round with very formidable walls
and gate which kept the invaders off.
Unfortunately for the people of the city, there arose a
drought in the third year of the siege, which brought
about untold hardship, hunger, disease and death
among the people. In the face of these suffering, the
people did not relent in sacrificing to the gods. The
famine had been severe that in the fourth year of the
siege, the city gate having being shut away from the
invaders, they endured till the seventh years when
one day the city woke up to see that their allied
forces had left after seven years of futile attempts.
They did not know that it was a tactics used to
deceive them.
While the city was celebrating the end of the siege,
they were shocked seeing their city set ablaze. This
forced them to axe down the city gate to escape
death. They soldiers who hid in the forest came out
at once and unleashed terror on the people.
Those who attempted to counter has lesser weapons
to fight back as they had only their cutlasses and
incantations as against the formidable guns the
forces acquired in the course of trading with the
Europeans on coast of Lagos.
A night prior this attack, Oba Akinjobi with some of
his chiefs had escaped from the city through some of
the secret exit routes.
In the process, the sacred places were desecrated as
the armies killed both men and women who ran
there to seek refuge.
Anlugbua and the women parted, both to nurse their
pains: Anlugbua to mourn the loss of a dear city and
worshippers; the women the loss of their beloved
ones and the bitter experience of slavery.
Scene 2
The air is pervaded with the lamentation of the
women as they mourn their losses. The marauding
allied forces had finally turned the once-flourishing
city of Owu Iponle, which they besieged for seven
year, into a 'relic of history.'
Erelu Afin, the queen of Oba Akinjobi, sprawled on
the ground, mourning. Her eyes already have grown
weary of shedding tears but now full o0f talk as she
counted her losses and the fate that is yet to befall
her.
Other women who are as well victims of the war, who
seemed to have accepted the whole as their fate,
made every attempt to placate her to also take
courage since the loss is irreversible. They took turn
to tell her that they were all witnesses of all the ills
that befell her, that the memory of the horrible death
of the princes as well as the rape of the princesses
stuck still to them. They also reminded her that they
too lost things of greater values to the war.
During the invasion, all the five princes who are sons
of Erelu Afin were slaughtered in the full glare of
other helpless survivors. The same soldiers also
raped the princesses who 'were engaged already to
be married to kings'.
The women in their sorrow cursed the soldiers who
wrought the terrible acts in their city while they
attempted to go back to their homes. They made a
pronouncement that they would be afflicted and
would not get back to their motherlands.
While in their lamentation, the women made
reference to The Apomu Market which was the
supposed root cause of their doom. Apomu Market
was notable for its uncommon merchandise and thus
had attracted people from different lands to do their
trading. There they trade in prized goods such as
gold, silk, ivory and slaves. This market had since
been in contention between the people of Owu
Iponle, the Ife and the Ijebu.
Some years before the war, the Owu forcefully took
control of the market forcefully from the Ife, killing
their traders and also attacked the Ijebu traders
whom they felt are threat to them. The Owu soldiers
looted the stalls of the Ijebu traders, killed many of
them and sold others as slaves.
Erelu Afin then observed that the soldiers as they put
out the fire and started packing their loot with the
readiness to embark of their journey home. So she
called the attention of the women to this. They all
realized at this point that it was pointless to contest
their fate as each of them would be shared out
among the soldier also as booty. Then the two
women who met Anlugbua arrived with the news.
The news of the coming of Anlugbua, their ancestral
father was welcome with much delight and they
immediately braced up, calling on other women who
already had reclined behind in their hiding places to
join them to confront the soldier. The coming of
Anlugbua suggested the intervention of the gods.
The women were soon disappointed when they got
the whole news that Anlugbau himself conceded to
defeat and had returned back to heaven as a helpless
victim.
Hearing this disheartening tale, they were
encouraged themselves to be prepared for a life in
slavery. So they danced on to the dirge the chorus
raised.
Scene 3
Lawumi appeared to Anlugbua you still remained at
the spot where he appeared to the two women of
Owu brooding over the destruction of beloved his
city. He made to move away from Lawunmi who he
knew was responsible for the act. Lawumi did not
deny but persuaded Anlugbua to wait to hear her
reason for allowing it. The meeting finally turned into
a historical discourse over what was responsible for
the fall of the Owu Kingdom.
Lawumi explained that she incited and edged the
allied forces on to perpetuate the destructive war
because of Owu Iponle's arrogance against her and
Ife which was the origin of the city of Owu. She went
into the account of the sins of the Owu in the past
how they started the fire: Owu's early attack on Ife
and Ijebu traders at the Apomu Market.
Owu Iponle held the belief that they were the
superior kingdom amongst all the seven Yoruba
kingdoms. That was one of the allegations Lawumi
leveled against them.
Owu, though founded by Oba Asunkungbade, was
founded on the help and blessings of Ife.
Asunkungbade was then a priest who married
Lawunmi, an Ife princess; and for this Lawunmi's
father agreed to crown him king. Thus Owu Iponle
became one of the seven kingdoms of Yoruba.
Owu prospered in the couse of time and became a
very formidable city and was very prosperous. One of
the reasons for Owu's prosperity was the slave trade.
It was an act that violated the law Sango amongst all
the Yoruba kingdoms. Sango had decreed that no
Yoruma should sell other Yoruba into slavery. Thus,
Ife attacked Owu at the Apomu Market which served
the Owu Kingdom as her slave market. It was the
source of Owu Iponle's prosperity.
Owu sent his army against Ife and raised it down,
reducing it to dust to retaliate the earlier Ife attack.
These are the details Lawumi gave for the dreadful
attack the allied forces made on the city of Owu
Iponle. She also was determined to punish the allied
forces because of their disregards for not sparing
those who ran into her groove for refuge and for
desecrating the sacred places as well as defiling
Orisaye who was Obatala's vestal votary.
For thes she persuaded Anlugbua to team up with
her in meting out the punishment. She informed him
that Esu, Orisa Oko and Ogun had already promised
to lend helping hands too.
Scene 4
Gesinde, an Ijebu officer and the herald to the allied
forces came just as the women had anticipated to
relay the decision of te generals to Erelu Afin.
Gesinde had since been known to the Owu Kingdom
being the one who had served as the go-between
who took the generals' messages to the Owu from
the day the kingdom was besieged.
Seeing him, Erelu knew he had not come with good
news. As far as her memory could recall, she cannot
point to a particular time he had borne a single good
tiding. So she asked him to relay his order. Gesinde's
order was simple: the women should prepare
because they would soon be shared out to their
'future masters'. He was furious when a woman
asked if the sharing would be 'separately or together'.
By this response he confirmed their fear that there
would be no preference for none of them no matter
the status. He added that he would be taking Orisaye
to Balogun Kusa who had requested that she should
be added to his harem.
Balogun Kusa did ask for Orisaye because he realised
she was a virgin, having been betrothed to Obatala,
the god of purity and creativity, since birth.
When she could no longer protest what the generals
had decided about her daughter Orisaye, Erelu asked
him what their decision is about Adeoti, another
daughter of hers. Gesinde hesitated at first, finding it
her to tell but when he found his tongue said Adeoti
had been sent to a place 'where pain can no longer
reach her'. Although Erelu could not decipher the
whole truth of her daughter's whereabouts, she knew
this officer was hiding something important from
her.
She further probed what was decided for Kesobo,
whose husband, Sakula, died while defending the
city, and Iyunloye who was the actual cause of the
war.
As for Keosbo, she would be given to Otunba Lekki,
the general who killed her husband. Iyunloye's fate
would be announced at a later time at the arrival of
Maye Okunade, Iyunade's wronged husband. He
added that Okunade would soon be with them.
Erelu persisted at least she needed to know that had
been determined for her. To her utter dismay, it was
Balogun Derin who asked that she be allocated to
him. She lamented what her fate would be in the
house of the man she knew as a dog and a double-
dealing liar.
Having heard all and no mention of their case was
hinted, a woman in the chorus enquired what the
generals decided. She was hushed and told that
commoners like them would be visited after the fate
of the royal line is sorted out.
Gesinde then ordered one of the soldiers who were
waiting on him to fetch Orisaye whom her new
master had asked to be brought to his camp
immediately. He was stopped at the sight of fire and
warned the women against any attempt to commit
suicide.
Erelu seeing how Gesinde jittered scolded him for
being frightened at the sight of Orisaye running
around with a torch. She explained that such display
was the impact of shock she experienced through the
war that ravaged the city.
Orisaye, who was deranged, emerged with the torch
in her hand and pleaded that no one should take it
away but should get his instead. She already knew
what the generals decided and so began to tell them
what the torch was meant for. She knelt before her
mother to ask to stop crying for her and beg for the
mother's blessing.
In her ranting she declared what fate awaited her
prospective husband and her own end. Her ranting
which she claimed are revelations shown to her by
Obatala was dismissed as incoherent babbling and
futile prophecies on unsound lips.
Gesinde at last began to deride the prophecy,
imagining how Balogun Kusa who was revered and
feared from Nupe Kingdom down to the Dahomey
Kingdom could be smitten by a mad woman; and
wonder how the general could stoop to ask for a lady
who is known to all as unsound mind when there was
a bee-hive of beautiful ladies would be glad to marry
him.
As he made to take Orisaye away, he notify Erelu that
it would soon be her turn soon as Balogun Derin is
ready to set out. Orisaye was furious at the news of
her mother becoming a slave to Balogun Derin's wife
as declared by Gesinde. She cursed Gesinde for
uttering such bad statement. She announced to him
that her mother would die on Owu's soil rather than
being taken away as a slave. Gesinde asked her how
Erelu would die since he was ready to prevent
anyone attempting suicide. Orisaye in her right chose
to keep her response as a secret not meant for the
ears of an enemy.
Instead she declared that Balogun Derin whose
homeland was just three weeks away from Owu
would wander for seventeen years in suffering,
anguish and fighting without respite before reaching
it.
Orisaye danced as she was being led away. Erelu,
unable to bear this, fainted. The women rushed to
help her. When she came to, she was mad with them
for rescuing her from the claws of death; and
rebuked the woman who suggested they call on the
gods for help. She shifted the blame of it all on the
gods for being silent in times like this.
They remembered what state they were in the
previous day, that is, a day before the annihilation;
how the whole streets of Owu were thrown into
jubilation when they thought the invaders had left the
city gates, seeing they all had deserted their camps,
no smoke, or movement was perceived and no horse
in sight. This departure of the allied forces marked
the beginning of a new life for the city besieged for
seven years.
What the people of Owu thought was the end of
famine and travailed soon became a bloodbath. First,
arrows bearing torches were fired into the city. The
thatches of the roofs caught fire. In a twinkling of an
eye, the whole city was on fire and everyone began to
scurry for safety.

To be comtinued...

Friday 9 January 2015

perPage: 7,
Purple Hibiscus takes place in Enugu, a city in post-
colonial Nigeria, and is narrated by the main
character, Kambili Achike. Kambili lives with her
older brother Jaja (Chukwuku Achike), a teenager
who, like his sister, excels at school but is withdrawn
and sullen. Kambili's father, Papa (Eugene Achike) is
a strict authoritarian whose strict adherence to
Catholicism overshadows his paternal love. He
punishes his wife, Mama (Beatrice Achike), and his
children when they fail to live up to his impossibly
high standards.
The novel begins on Palm Sunday. Jaja has refused
to go to church and receive communion. Because
Jaja has no reasonable excuse for missing church,
Papa throws his missal at his son. The book hits a
shelf containing his wife's beloved figurines. This
defiant act and resulting violence marks the
beginning of the end of the Achike family. Kambili
then explains the events leading up to Palm Sunday,
detailing the seeds of rebellion that are planted in
the children's minds by their liberal Aunty Ifeoma,
Papa's sister.
Papa is a prominent figure in Enugu. He owns
several factories and publishes the pro-democracy
newspaper the Standard. He is praised by his priest,
Father Benedict, and his editor, Ade Coker, for his
many good works. Papa generously donates to his
parish and his children's schools. His newspaper
publishes articles critical of the rampant
government corruption. Since the Standard tells the
truth, the staff is under constant pressure from the
Head of State, the military leader who assumes the
presidency following a coup. When Ade Coker is
arrested, Papa's bravery and position in the
community help to free him.
Kambili is a quiet child. When she tries to speak, she
often stutters or has a coughing fit. The rigid life that
is shaped by her father renders her mute. Each day,
she follows a schedule that allots only time to study,
eat, sleep, pray and sit with her family. Kambili is a
good student, rising to the top of her class. The girls
at school assume she is a snob because she doesn't
socialize and always runs straight to her father's car
after class. When Kambili places second on term,
Papa tells her she must excel because God expects
more from her. Kambili is not a snob; she is
motivated by fear, unable to create her own identity.
At Christmas, the family returns to the Papa's
ancestral town, Abba. The family supervises a feast
that feeds the entire umunna – extended family.
Papa is celebrated for his generosity in Abba as well.
However, he does not allow his children to visit with
his own father, Papa-Nnukwu, for more than fifteen
minutes each Christmas. Papa calls his father a
"heathen" because he still follows the religious
traditions of his people, the Igbo. When Aunty
Ifeoma comes to visit from her University town of
Nsukka, she argues with Papa about his
mistreatment of their father. But Papa is firm. He
will only acknowledge and support his father if he
converts. Aunty Ifeoma invites Kambili and Jaja to
visit so they can go on a pilgrimage to Aokpe, site of
a miraculous apparition of the Virgin Mary. Papa
begrudgingly agrees.

Nsukka is a different world. The University is beset
by fuel shortages, pay stoppages, strikes at medical
clinics, blackouts, and rising food prices. The
widowed Aunty Ifeoma successfully raises her three
children, Amaka, Obiora and Chima, with what little
she has. But her family is a happy one. Unlike Papa,
Aunty Ifeoma encourages her children to question
authority, raising them with faith but also intellectual
curiosity. Amaka and Kambili are very different girls.
Amaka, like Kambili's classmates, assumes her
cousin is a privileged snob since she does not know
how to contribute to household chores. Kambili
retreats into silence even in Nsukka. Jaja, on the
other hand, blossoms. He follows the example of his
younger cousin Obiora, concocting his own rite of
initiation out of helping his family, tending a garden
and killing a chicken. Kambili begins to open up
when she meets Father Amadi. A Nigerian-born
priest, Father Amadi is gentle and supportive. He
encourages Kambili to speak her mind. Through
Father Amadi, Kambili learns that it is possible to
think for oneself and yet still be devout. She even
begins speaking above a whisper to Amaka, and they
become closer.
Kambili and Jaja learn to be more accepting in
Nsukka. When he falls ill, Aunty Ifeoma brings Papa-
Nnukwu to her flat. Kambili and Jaja decide not to
tell Papa that they are sharing a home with a
"heathen." Kambili witnesses her grandfather's
morning ritual of innocence, where he offers thanks
to his gods and proclaims his good deeds. She sees
the beauty in this ritual and begins to understand
that the difference between herself and Papa-
Nnukwu is not so great. When her father finds out
that Kambili and Jaja have spent time with their
grandfather, he brings them home. Amaka gives her
a painting of Papa-Nnukwu to take back to Enugu.
Papa punishes his children by pouring hot water
over their feet for "walking into sin."
Pressure mounts on Papa. Soldiers arrest Ade Coker
again and torture him, and they raid the offices of
the Standard and shut down his factories for health
code violations. Shortly thereafter, the government
murders Ade Coker. Tensions rise in the home too.
Kambili and Jaja take comfort in the painting of
Papa-Nnukwu. Papa catches them, however, and he
beats Kambili so severely that she ends up in critical
condition in the hospital. When she is well enough to
be released, she goes to Nsukka instead of home.
Her crush on Father Amadi intensifies and she
begins to break out of her shell more, learning how
to laugh and to join in the Igbo songs. But Aunty
Ifeoma gets fired from the University and decides to
go to America to teach. Kambili is floored. She is not
sure what she will do without the refuge provided by
her aunt and cousins. Amaka does not want to go to
America either because her roots are in Nigeria.


Mama comes to Nsukka, limping out of a cab. Papa
has beaten her again, causing another miscarriage.
Though both Kambili and Jaja have seen this happen
before, this time it is different. Aunty Ifeoma urges
her not to return to Enugu. But she takes her
children back with her. The following week is Palm
Sunday, when Jaja refuses to go to church. In the
week between Palm Sunday and Easter, Jaja grows
increasingly defiant. He finally demands that he and
Kambili spend Easter with their cousins. Weakened
by what the children believe is stress, he allows
them to go to Nsukka. A few days later, Mama calls.
Papa has died. When Mama left Nsukka, she began
poisoning her husband's tea. Jaja takes the blame
for the crime and goes to prison.
The final chapter of the book takes place nearly
three years later. Kambili and Mama visit a
hardened Jaja in prison. He has faced severe
punishments and miserable conditions over the
course of his term. However, with the leadership in
Nigeria now changing again, their lawyers are
confident that Jaja will be released. Though Jaja has
learned to not expect a favorable outcome, Kambili
is overjoyed. She dreams that she will take Jaja to
America to visit Aunty Ifeoma, together they will
plant orange trees in Abba, and purple hibiscuses
will bloom again.

By COMRADE OLAMILEKAN

perPage: 7,
The play begins in the bedroom of Raina Petkoff in a
Bulgarian town in 1885, during the Serbo-Bulgarian
War. As the play opens, Catherine Petkoff and her
daughter, Raina, have just heard that the Bulgarians
have scored a tremendous victory in a cavalry charge
led by Raina's fiancé, Major Sergius Saranoff, who is
in the same regiment as Raina's father, Major Paul
Petkoff. Raina is so impressed with the noble deeds
of her fiancé that she fears that she might never be
able to live up to his nobility. At this very moment,
the maid, Louka, rushes in with the news that the
Serbs are being chased through the streets and that
it is necessary to lock up the house and all of the
windows. Raina promises to do so later, and Louka
leaves. But as Raina is reading in bed, shots are
heard, there is a noise at the balcony window, and a
bedraggled enemy soldier with a gun appears and
threatens to kill her if she makes a sound. After the
soldier and Raina exchange some words, Louka calls
from outside the door; she says that several soldiers
want to search the house and investigate a report
that an enemy Serbian soldier was seen climbing her
balcony. When Raina hears the news, she turns to the
soldier. He says that he is prepared to die, but he
certainly plans to kill a few Bulgarian soldiers in her
bedroom before he dies. Thus, Raina impetuously
decides to hide him. The soldiers investigate, find no
one, and leave. Raina then calls the man out from
hiding; she nervously and absentmindedly sits on his
gun, but she learns that it is not loaded; the soldier
carries no cartridges. He explains that instead of
carrying bullets, he always carries chocolates into
battle. Furthermore, he is not an enemy; he is a
Swiss, a professional soldier hired by Serbia. Raina
gives him the last of her chocolate creams, which he
devours, maintaining that she has indeed saved his
life. Now that the Bulgarian soldiers are gone, Raina
wants the "chocolate cream soldier" (as she calls
him) to climb back down the drainpipe, but he
refuses to; whereas he could climb up, he hasn't the
strength to climb down. When Raina goes after her
mother to help, the "chocolate cream soldier" crawls
into Raina's bed and falls instantly asleep. In fact,
when they re-enter, he is sleeping so soundly that
they cannot awaken him.
Act II begins four months later in the garden of
Major Petkoff's house. The middle-aged servant
Nicola is lecturing Louka on the importance of having
proper respect for the upper class, but Louka has too
independent a soul to ever be a "proper" servant.
She has higher plans for herself than to marry
someone like Nicola, who, she insists, has the "soul
of a servant." Major Petkoff arrives home from the
war, and his wife Catherine greets him with two bits
of information: she suggests that Bulgaria should
have annexed Serbia, and she tells him that she has
had an electric bell installed in the library. Major
Sergius Saranoff, Raina's fiancé and leader of the
successful cavalry charge, arrives, and in the course
of discussing the end of the war, he and Major
Petkoff recount the now-famous story of how a Swiss
soldier escaped by climbing up a balcony and into
the bedroom of a noble Bulgarian woman. The
women are shocked that such a crude story would be
told in front of them. When the Petkoffs go into the
house, Raina and Sergius discuss their love for one
another, and Raina romantically declares that the two
of them have found a "higher love."
When Raina goes to get her hat so that they can go
for a walk, Louka comes in, and Sergius asks if she
knows how tiring it is to be involved with a "higher
love." Then he immediately tries to embrace the
attractive maid. Since he is being so blatantly
familiar, Louka declares that Miss Raina is no better
than she; Raina, she says, has been having an affair
while Sergius was away, but she refuses to tell
Sergius who Raina's lover is, even though Sergius
accidently bruises Louka's arm while trying to wrest a
confession from her. When he apologizes, Louka
insists that he kiss her arm, but Sergius refuses and,
at that moment, Raina re-enters. Sergius is then
called away, and Catherine enters. The two ladies
discuss how incensed they both are that Sergius
related the tale about the escaping soldier. Raina,
however, doesn't care if Sergius hears about it; she is
tired of his stiff propriety. At that moment, Louka
announces the presence of a Swiss officer with a
carpetbag, calling for the lady of the house. His name
is Captain Bluntschli. Instantly, they both know he is
the "chocolate cream soldier" who is returning the
Major's old coat that they disguised him in. As they
make rapid, desperate plans to send him away,
Major Petkoff hails Bluntschli and greets him warmly
as the person who aided them in the final
negotiations of the war; the old Major insists that
Bluntschli must their houseguest until he has to
return to Switzerland.

Act III begins shortly after lunch and takes place in
the library. Captain Bluntschli is attending to a large
amount of confusing paperwork in a very efficient
manner, while Sergius and Major Petkoff merely
observe. Major Petkoff complains about a favorite
old coat being lost, but at that moment Catherine
rings the new library bell, sends Nicola after the coat,
and astounds the Major by thus retrieving his lost
coat. When Raina and Bluntschli are left alone, she
compliments him on his looking so handsome now
that he is washed and brushed. Then she assumes a
high and noble tone and chides him concerning
certain stories which he has told and the fact that she
has had to lie for him. Bluntschli laughs at her "noble
attitude" and says that he is pleased with her
demeanor. Raina is amused; she says that Bluntschli
is the first person to ever see through her
pretensions, but she is perplexed that he didn't feel
into the pockets of the old coat which she lent him;
she had placed a photo of herself there with the
inscription "To my Chocolate Cream Soldier." At this
moment, a telegram is brought to Bluntschli relating
the death of his father and the necessity of his
coming home immediately to make arrangements for
the six hotels that he has inherited. As Raina and
Bluntschli leave the room, Louka comes in wearing
her sleeve in a ridiculous fashion so that her bruise
will be obvious. Sergius enters and asks if he can
cure it now with a kiss. Louka questions his true
bravery; she wonders if he has the courage to marry
a woman who is socially beneath him, even if he
loved the woman. Sergius asserts that he would, but
he is now engaged to a girl so noble that all such talk
is absurd. Louka then lets him know that Bluntschli is
his rival and that Raina will marry the Swiss soldier.
Sergius is incensed. He sees Bluntschli and
immediately challenges him to a duel; then he
retracts when Raina comes in and accuses him of
making love to Louka merely to spy on her and
Bluntschli. As they are arguing, Bluntschli asks for
Louka, who has been eavesdropping at the door. She
is brought in, Sergius apologizes to her, kisses her
hand, and thus they become engaged. Bluntschli asks
permission to become a suitor for Raina's hand, and
when he lists all of the possessions which he has (200
horses, 9600 pairs of sheets, ten thousand knives and
forks, etc.), permission for the marriage is granted,
and Bluntschli says that he will return in two weeks to
marry Raina. Succumbing with pleasure, Raina gives
a loving smile to her "chocolate cream soldier."
By COMRADE OLAMILEKAN

perPage: 7,
The Tempest opens in the midst of a storm, as a ship
containing the king of Naples and his party struggles
to stay afloat. On land, Prospero and his daughter,
Miranda, watch the storm envelop the ship. Prospero
has created the storm with magic, and he explains
that his enemies are on board the ship.
The story Prospero relates is that he is the rightful
Duke of Milan and that his younger brother, Antonio,
betrayed him, seizing his title and property. Twelve
years earlier, Prospero and Miranda were put out to
sea in little more than a raft. Miraculously, they both
survived and arrived safely on this island, where
Prospero learned to control the magic that he now
uses to manipulate everyone on the island. Upon his
arrival, Prospero rescued a sprite, Ariel, who had
been imprisoned by the witch Sycorax. Ariel wishes
to be free and his freedom has been promised within
two days. The last inhabitant of the island is the child
of Sycorax and the devil: Caliban, whom Prospero
has enslaved. Caliban is a natural man, uncivilized
and wishing only to have his island returned to him
to that he can live alone in peace.
Soon the royal party from the ship is cast ashore and
separated into three groups. The king's son,
Ferdinand, is brought to Prospero, where he sees
Miranda, and the two fall instantly in love.
Meanwhile, Alonso, the king of Naples, and the rest
of his party have come ashore on another part of the
island. Alonso fears that Ferdinand is dead and
grieves for the loss of his son. Antonio, Prospero's
younger brother, has also been washed ashore with
the king's younger brother, Sebastian. Antonio easily
convinces Sebastian that Sebastian should murder
his brother and seize the throne for himself. This plot
to murder Alonso is similar to Antonio's plot against
his own brother, Prospero, 12 years earlier.
Another part of the royal party — the court jester
and the butler — has also come ashore. Trinculo and
Stefano each stumble upon Caliban, and each
immediately sees a way to make money by exhibiting
Caliban as a monster recovered from this
uninhabited island. Stefano has come ashore in a
wine cask, and soon Caliban, Trinculo, and Stefano
are drunk. While drinking, Caliban hatches a plot to
murder Prospero and enrolls his two new
acquaintances as accomplices. Ariel is listening,
however, and reports the plot to Prospero.
Meanwhile, Prospero has kept Ferdinand busy and
has forbidden Miranda to speak to him, but the two
still find time to meet and declare their love, which is
actually what Prospero has planned. Next, Prospero
stages a masque to celebrate the young couple's
betrothal, with goddesses and nymphs entertaining
the couple with singing and dancing.
While Ferdinand and Miranda have been celebrating
their love, Alonso and the rest of the royal party have
been searching for the king's son. Exhausted from
the search and with the king despairing of ever
seeing his son alive, Prospero has ghosts and an
imaginary banquet brought before the king's party. A
god-like voice accuses Antonio, Alonso, and
Sebastian of their sins, and the banquet vanishes.
The men are all frightened, and Alonso, Antonio, and
Sebastian run away.

Prospero punishes Caliban, Trinculo, and Stefano
with a run through a briar patch and swim in a
scummy pond. Having accomplished what he set out
to do, Prospero has the king's party brought in.
Prospero is clothed as the rightful Duke of Milan, and
when the spell has been removed, Alonso rejects all
claims to Prospero's dukedom and apologizes for his
mistakes. Within moments, Prospero reunites the
king with his son, Ferdinand. Alonso is especially
pleased to learn of Miranda's existence and that
Ferdinand will marry her.
Prospero then turns to his brother, Antonio, who
offers no regrets or apology for his perfidy.
Nevertheless, Prospero promises not to punish
Antonio as a traitor. When Caliban is brought in,
Caliban tells Prospero that he has learned his lesson.
His two co-conspirators, Trinculo and Stefano, will be
punished by the king. Soon, the entire party retires to
Prospero's cell to celebrate and await their departure
home. Only Prospero is left on stage.
In a final speech, Prospero tells the audience that
only with their applause will he be able to leave the
island with the rest of the party. Prospero leaves the
stage to the audience's applause.

By COMRADE OLAMILEKAN

perPage: 7,
Genres of Literature

Genres of literature are important to learn about. The
two main categories separating the different genres
of literature are fiction and nonfiction. There are
several genres of literature that fall under the
nonfiction category. Nonfiction sits in direct
opposition to fiction. Examples from both the fiction
and nonfiction genres of literature are explained in
detail below. This detailed genres of literature list is a
great resource to share with any scholars.

Types of Nonfiction:
Narrative Nonfiction is information based on fact
that is presented in a format which tells a story.
Essays are a short literary composition that reflects
the author's outlook or point. A short literary
composition on a particular theme or subject, usually
in prose and generally analytic, speculative, or
interpretative.

A Biography is a written account of another person's
life.

An Autobiography gives the history of a person's
life, written or told by that person. Often written in
Narrative form of their person's life.
Speech is the faculty or power of speaking; oral
communication; ability to express one's thoughts and
emotions by speech, sounds, and gesture. Generally
delivered in the form of an address or discourse.
Finally there is the general genre of Nonfiction. This
is Informational text dealing with an actual, real-life
subject. This genre of literature offers opinions or
conjectures on facts and reality. This includes
biographies, history, essays, speech, and narrative
non fiction. Nonfiction opposes fiction and is
distinguished from those fiction genres of literature
like poetry and drama which is the next section we
will discuss.

Genres of Fiction:
Drama is the genre of literature that's subject for
compositions is dramatic art in the way it is
represented. This genre is stories composed in verse
or prose, usually for theatrical performance, where
conflicts and emotion are expressed through
dialogue and action.

Poetry is verse and rhythmic writing with imagery
that evokes an emotional response from the reader.
The art of poetry is rhythmical in composition,
written or spoken. This genre of literature is for
exciting pleasure by beautiful, imaginative, or
elevated thoughts.

Fantasy is the forming of mental images with
strange or other worldly settings or characters;
fiction which invites suspension of reality.

Humor is the faculty of perceiving what is amusing
or comical. Fiction full of fun, fancy, and excitement
which meant to entertain. This genre of literature can
actually be seen and contained within all genres.

A Fable is a story about supernatural or
extraordinary people Usually in the form of narration
that demonstrates a useful truth. In Fables, animals
often speak as humans that are legendary and
supernatural tales.

Fairy Tales or wonder tales are a kind of folktale or
fable. Sometimes the stories are about fairies or
other magical creatures, usually for children.

Science Fiction is a story based on impact of
potential science, either actual or imagined. Science

fiction is one of the genres of literature that is set in
the future or on other planets.

Short Story is fiction of such briefness that is not
able to support any subplots.

Realistic Fiction is a story that can actually happen
and is true to real life.

Folklore are songs, stories, myths, and proverbs of a
person of "folk" that was handed down by word of
mouth. Folklore is a genre of literature that is widely
held, but false and based on unsubstantiated beliefs.

Historical Fiction is a story with fictional characters
and events in a historical setting.

Horror is an overwhelming and painful feeling
caused by literature that is frightfully shocking,
terrifying, or revolting. Fiction in which events evoke
a feeling of dread in both the characters and the
reader.

A Tall Tale is a humorous story with blatant
exaggerations, swaggering heroes who do the
impossible with an here of nonchalance.

Legend is a story that sometimes of a national or folk
hero. Legend is based on fact but also includes
imaginative material.

Mystery is a genre of fiction that deals with the
solution of a crime or the unraveling of secrets.
Anything that is kept secret or remains unexplained
or unknown.

Mythology is a type of legend or traditional
narrative. This is often based in part on historical
events, that reveals human behavior and natural
phenomena by its symbolism; often pertaining to the
actions of the gods. A body of myths, as that of a
particular people or that relating to a particular
person.

Fiction in Verse is full-length novels with plot,
subplots, themes, with major and minor characters.
Fiction of verse is one of the genres of literature in
which the narrative is usually presented in blank
verse form.

The genre of Fiction can be defined as narrative
literary works whose content is produced by the
imagination and is not necessarily based on fact. In
fiction something is feigned, invented, or imagined; a
made-up story.

Friday 2 January 2015

perPage: 7,
The fact that different guys pick you up every
friday night does not make you a big girl.

The fact that you wear all the latest clothes in
the market does not make you a big girl.

And of the fact that you use the latest phone
and different guys pay money into your account does not make you an actual big girl.

It does not even make you smart! You are
only wasting away your FUTURE!

A big girl is a girl who uses the brain in her
head.

She is not the one who flirts with all the rich men around her.

She is the girl who respects her relationship
and marriage.She is every man's queen, decently dressed.

A big girl respects the value of womanhood...
She carries herself with dignity.

Stop boasting about the number of men
you've slept with my dear.... Remember, cheap articles have more patronizers.. Build yourself into the woman people will always respect and admire. Never follow men who will make a mess of your life.

Be bold but humble, be Godly.. Be
hardworking, be ambitious but contented.. Don't make men a priority in life.. Real men will seek you!

Build yourself into the woman men will
always want to take home to their mamas.. Not the one they only want to take to hotels and clubs. TRUST ME, if you just trap a man with your body, he'll go one
day. Work on your character, let God be your
foundation,

That is a Big Girl!

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